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This issue focuses on type and form, including "Different Strokes," about how small but growing number of "creative programmers" are changing the face of type; "Everybody Loves Rea Irvin," a look at how The New Yorker's first art editor helped make a typeface, and the magazine, immortal; and more, including a look at the art of Greg LaMarche and Mouneer El Shaarani.
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