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Print Magazine August 2011 Digital Download

The Movement Issue

By Print Editors

Format: Download

SKU# W2198

You'll Love This Issue If:

  • You love to get up and move
  • You're interested in our guest art directors, London-based studio Spin
  • You want to see the winners of the first ever Color in Design Awards

Our August issue is about movement: the movement of cities and airports, filmmakers and baseball players, museumgoers and revolutionaries. But above all, it's about the way people move in step with design. Ursula Lindsey reports from Cairo on how Egypt's protesters used visual language to advance their cause—and how Coca-Cola and other companies are now getting in on the revolutionary spirit. The architect James Biber explains New York and Paris in terms of the choreography of their streets, and offers excerpts from his book 100 Ideas for New York. And Angela Riechers argues that we should think of the San Francisco Giants ace, Tim Lincecum, as every bit the equal of mid-century designers like Marcel Breuer. Our guest art directors, the London-based studio Spin, captured the same sense of motion in their brilliant design of our feature well. We hope it will move you too.

Inside the Movement Issue of Print Magazine You'll Find:

FEATURES

Movement
A special section of Print guest designed by SPIN

Lincecum In Motion
The carefully engineered pitching form of the San Francisco Giants ace is the epitome of good design
By Angela Riechers

Revisiting Schiphol 
Total Design's former creative director on Benno Wissing and the airport that changed the world
By Ben Bos

Disappearing Information
Cartlidge Levene's way-finding systems get us from A to B without so much as a whisper
By Mark Sinclair

How The City Moves Us
In New York and Paris, the way we get around defines life. Plus: a preview of the book 100 Ideas for New York.
By James Biber

Scenes From A Revolution
Documenting the visual legacy of Egypt's popular revolt, from photocopied fliers of Coke ads
By Ursula Lindsey

Hollywood's Lost Title Designer
The man behind the titles of Bonnie and Clyde and a thousand other films and TV shows steps out from the shadows
By Steven Brower

Moving Pictures
What's the matter with Hollywood film posters?
By Adrian Shaughnessy

Color Competition: We pick the best, palette-cleansing entries from our first ever Color in Design awards.

DEPARTMENTS

Crit+Comments: We heard an earful from readers about last month's "Surprise" issue, guest designed by Kokoro & Moi.
Grids+Guides: Design for curious minds: Irma Boom on authority, the Space Shuttle lands, and two books that whet our appetite.
World View: A new generation of designers is reviving the quintessential Polish art form.
Dialogue: Steven Heller finds out how the Norman Rockwell Museum is bringing the iconic American artist into the21st centruy.
Observer: Does graphic design history have a future? Rick Poynor investigates.
Best Practices: Jeremy Lehrer asks Nike about building shoes with a green soul.
Stereotype: Paul Shaw and Stephen Coles talk Spiekermann and birthday cakes.
Education: Eileen MacAvery Kane thinks Shepard Fairey can teach designers a lesson in ethics.
Design Thinking: Design thinking is dead. So what's next?
Interaction: Christopher Bulter wonders if we can contain the cloud.
Back Issue: Editor emeritus Marting Fox on Print's September/October 1982 story on posters for faux Broadway shows.
Reviews: Books on the human form, psychedelic art, and malfunctioning Russian space heaters
The Goods: New albums by Eno and They Might Be Giants, luxurious editions from White's Books, and Adobe tackles apps
One Perfect Thing: Justin Sullivan on Harry Beck's subway map
In The Studio: Dress Code lets its hair down

SKU W2198
Author/Speaker/Editor Print Editors
File Type PDF
Format Download
ISBN 13 9781440326936

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Print Magazine August 2011

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