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Mirko Ilic

Fist to Face

By Dejan Krsic

Format: Paperback

SKU# V8224

You'll Love This Book If:

  • Love Time Magazine's art direction
  • You want to read an amazing story of perseverance and greatness
  • You have respect for the history of one of the greatest designers of this past generation

Mirko Ilić has a reputation as a rebel, but his iconoclasm is matched with tremendous gifts as an illustrator, a designer, and an educator. Ilić is a visionary and a leading voice of visual culture across disciplines and continents.

This visual biography of one of the most prolific and distinguished designers of the last half century traces Ilić’s formative years as a precocious youth in Yugoslavia during the Communist-bloc era; his early illustrations for comic books and magazines; and his eventual move to the United States, where he quickly achieved notoriety as the art director of Time magazine’s international edition and The New York Times’ op-ed pages. As a designer, Ilić has constantly pushed his craft to new limits, experimenting and reinventing himself at every turn.

Throughout his illustrious career, Ilić has collaborated with design luminaries like Steven Heller and Milton Glaser. He has designed album covers for Rage Against the Machine, created film titles for You’ve Got Mail, and written or designed a number of books, including Genius Moves, The Design of Dissent, The Anatomy of Design, and Stop Think Go Do.

He has taught advanced design classes at Cooper Union with Milton Glaser and now teaches illustration at the School of Visual Arts. His studio, Mirko Ilić Corp., has received awards from the Society of Illustrators, the Society of Publication Designers, the Art Directors Club, I.D., Print, and HOW.

SKU V8224
Additional Feature 600 Color Illustrations & 500 Black & White Illustrations
Author/Speaker/Editor Dejan Krsic
File/Trim Size 8.25 x 10.5
Format Paperback
ISBN 13 9781440323973
Number Of Pages 320

What Print Magazine, has to say:

Mirko Ilic is not exactly an undiscovered talent, but he’s an often overlooked one. This monograph should change that, putting his work -brave political design from the Eastern bloc to New York City - on the level of other contemporary greats.

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